Ron Boots Close But Not Touching Play: Lo-Fi   Mid-Fi   Hi-Fi   Download: Lo-Fi   Mid-Fi   Hi-Fi (Excerpt from track 'Well! So What?')

'Save it for a rainy day' begins with light, ambient textures before the sequencers begin at just under the three minute mark as Boots embarks upon another sonic collage. The rhythms become more intense at around the five minute mark and although less prominent this time, Boots maintains melodic interest with simple patterns of motifs which uplift and inspire. At 10.14 it's the shortest cut on the disc, but the composer again proves to be a master craftsman as he does on the longest piece 'Well so what ?' which clocks in at 18.25. Vaguely Jarre-like in its early sequencing style, Boots proves that he is one of the finest practioners of classic European-style extended sequencer based electronica with careful control of light and shade and enhanced by Harold van der Heijden's drums on the middle section. The music is finely paced, and segments are not allowed to outstay their welcome but are allowed to breathe and unfold gradually in the finest tradition of 'centring' imaginative electronic music. 'Giants of once before' is a live track featuring Kees Aerts and Harold van der Heijden recorded in concert in Gruga Park and it keeps up the high standards of the album. A subtle change in direction, this piece features some outstanding percussion work by Harold van der Heijden, some inspiring keyboard improvisations, textures and motifs, and although probably too close to call, is just about my personal favourite on the album. 'Au revoir' closes the set and is another carefully constructed gem deploying melodics, sequencers, the merest hint of vocals and despite probably being my least favourite cut here, would probably be a highlight on most lesser albums.