From the track titles I assume this album is inspired by biblical times. It hangs on the use of the most wonderful sonic textures combined with gorgeous sampled vocal colouring. These vocals are either wordless or in a language unknown to me, maybe Middle Eastern (except for the recited section in 'Magdalene') but also range from ethereal to Western Gregorian. Indeed it is how the album swings with ease between such different cultural styles that is one of most prominent features. It is done seemingly with such ease, the overall effect being so peaceful, soothing and spiritual. Gentle rhythms provide a little structure and movement but don't spoil the overall feeling of calm, just causing my head to gently nod and feet to tap. The melodies are usually quite subtle but permeate the whole album, sometimes coming through the gently shifting backing whilst at other times being created via various solo strings. It's one of Robert's most accessible albums, having a very warm and comforting feel. This doesn't mean that there aren't moments of slight melancholy however such as on 'Gethsemane' but such interludes just serve to provide a pleasing contrast rather than ever approaching anything that could be remotely thought of as 'dark'. There might seem to be a large number of tracks but most flow into one another and it is far better to treat the whole thing as an individual entity rather than individual stand alone pieces. Robert does have something of a signature sound but it is quite amazing what he can do with it. You can tell for instance that both this album and 'Underworld' were by him and yet they are the complete antithesis of each other. (DL)
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