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Robert Rich
Inner Landscapes
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One track that is split into eight parts and not a rhythm or sequence to be heard almost certainly means we are deep into traditional
Ambient territory. What’s more its by far my favourite Robert Rich album ever. This is a live recording from 1985. It was first
released, I think on cassette only, by the Freeman brothers in 1987 though what we have here is presented in different form with
some of the weaker material removed and restructured crossfades. The transition from the first to second part is particularly
impressive with some deep. almost moaning, effects carrying through to the second part and giving it an almost hellish feel. The lead
sound could almost be a long scream. I wish I could have been to one of these early concerts, the atmosphere must have been
amazing. I am rather getting ahead of myself however as the first track is no slouch either starting off with insect noises and the most
delightful shimmering and yet deep, dark drones. I know I keep banging on about sounds but to me it is the unique sound possibilities
that ultimately distinguishes music created electronically from more conventional instruments. The sounds used here are just
spellbinding. Certainly not of this world and if of the next I would think that we are in the fiery caverns rather than up in the clouds.
The lonesome wind sound on the third part makes you think of some great loss, like a dawn of devastation.
Part four is a more cosmic affair, well out in deep space, the last three minutes being particularly effective. Part
five becomes very sparse, the wind sounds returning but in this new setting they sound even more despairing
than before, almost animal in nature at times. Part five is by far the shortest section but in just two minutes
images of fast underground caverns are sculptured. Part seven caries on with these images, the sound again
being sparse but every little details seems to be essential in conjuring up the overall picture. At three minutes
the mood changes and it is as if we are looking up a shaft as clouds rush by and a storm builds. By the time
this part ends and the next begins we return to spooky cosmic realms which is where we stay until the end. If
you liked Steve Roach’s ‘Magnificent Void’ or Lightwave’s ‘Mundus Subterraneus’ then this album will be
essential to you. Probably even better than the two albums mentioned and as any dedicated dark ambient fan
will tell you that is very high praise indeed. (DL)