Indra
Millenium Live 2000

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(Excerpt from track(s) 'Morpheus')

CDR / 6 tracks / 72.30 mins

OK, so this is supposed to be a live album but your really wouldn't know as it sounds much more like a studio concept album to me. Lovely little melodic note flutters and twitters get 'Focus of Mind' off to a nice relaxed start. Big whooshes and an excellent Berlin School bass sequence pick up the pace. Another high register tuneful sequence joins it as well as more little melodic flourishes / leads, providing the perfect final touches to an already exciting track which just oozes class.

'Moving (into the Solar Wind)' is appropriately cosmic with bleeps, metallic effects and the aforesaid solar wind. Then female recited text, a rapid sequence / loop as well as great crashing sounds. The spoken female voice returns. Apparently she can 'grant my wish' - hm really! It's a bit of a strange one but all part of the concept I suppose. Another good sequence returns for 'Brain Machine'. We get the occasional Gregorian chant and some stunning cello playing. This is superb stuff that if it had have been on a Klaus Schulze album people would be raving about. The sequence mutates constantly both in form and sound, the cello reacting to it masterfully. A synth lead then comes in duetting with the cello- what wonderful musicianship by all concerned! The pace quickens at the half way mark and the pulse starts to race. What a fantastic track.

'Angel Dream' however is a completely different matter. Initially shimmering drones mix with plucked strings- all rather beautiful. Then in comes some angelic female singing. It really is lovely stuff but to me feels rather out of place in the context of the rest of the album. Others on the other hand might think it gives the whole proceedings welcome balance. It's all part of the 'concept' whatever the opinion. If you don't like it just programme it out, it still leaves over an hour of music.

'Morpheus', given the title, has the expected dreamy start then as the Schulzian pads and rhythm strike up its obvious that normal service has been resumed. An explosion heralds growling electronics and we are back on track big style. A rapid sequence careers from the speakers and, as with 'Brain Machine', if this had been on one of Klaus' albums people would be talking about it for many a moon. Things come to a sudden stop with a minute to go and we are left with electronic twitters which take us smoothly on to 'Benedictus'. Crystalline tones set the initial scene then melodic ethereal pads take over making things even more serene. Slow delicate sequences take things forward but these are then replaced by understated little melodies ending the album on quite a beautiful but also reflective mood. Indra seems to be able to turn his hand to many styles of music and certainly as far as the Schulze influenced material is concerned I haven't heard anyone else do it better. (DL)

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