 |
Ian Boddy
Phoenix
|
This is a re-issue of his third vinyl album and is the last to make its way onto CD. As with the other CD re-issues we have a superb bonus track not available on the original. Depending on who you talk to 'Phoenix' has the reputation of being either the best or worst of Ian's early releases. The title track starts with a lush bank of synths underpined by some great church organ. Drums come in after a couple of minutes and the main theme makes itself heard, creating a very strong melody that chugs along with the rhythm. The second track again starts with that great organ sound, a lovely tinkling melody follows and a female voice (not singing) adds some colour. The melody takes turns with the female vocal to be the lead. 'Your Eyes' initially comprises of a metallic piano sound and saxophone that weave yet more superb melodies that I found myself humming whilst writing this, the pace quickens as the drums are introduced, we have a short pause for breath and then things take off at break neck speed again. 'Gavotte' (which I think was an ancient dance) is the real fun piece on the album. Superb rhythm and male vocal stabs provide structure for the playful lead line. Yes, you could dance to it but I'm sure you wouldn't retain your liberty for too long. The final track on the original album was called 'The Necromancer'. It starts off in suitably dark brooding fashion, the chief wizard enters, the pace quickens and everyone in the vicinity takes cover. The melody could very well represent spells being cast as it has a rather mysterious and very slightly Eastern feel. The track slows down again and a tranquil mood is created with washes of synth before the rhythm returns and takes the track to its close. The bonus track 'The Purcell Set (Parts 1-4)' was recorded live at The Purcell Rooms, Queen Elizabeth Hall in 1986. Being contemporary with 'Phoenix', it fits in with the mood of the album perfectly. An underwater sonar type sound is joined by ghostly bells and sonic shimmers as a slow sequence adds to the atmosphere accompanied by one melody after another. Everything fades away and more synth washes help to clear the mind and relaxation deepens as a piano can be heard low in the mix. A few minutes it's all change again and we are introduced to a moderately fast piece to close. (DL)
This page is part of a frame set. If you can't see the information strip to the left of the screen then click on the smd logo above.