Jonn Serrie & Gary Stroutsos
Hidden World
Most SMD customers will be aware of Jonn Serrie's work and I'm pleased to say that he has kept up the excellent form, found on his last two CDs, 'Spirit Keepers' and 'Dream Journeys'. However I had never heard of Gary Stroutsos before and that is a shame because his contributions on various flutes (and a few other instruments) to the CD are essential in making it the triumph it is. What we get is a very laid back album describing the beauty of the planet with ethnic touches, especially those of the native American Indian. In a way we are revisiting ground covered recently by Jonn but this time with a more world music slant. On some of the tracks the talents of tabla players are also used well. The title track starts things off with 'breathy' synths, gentle tabla rhythms and a very peaceful but melancholy flute melody. It is all so relaxing but yet moody at the same time Just close your eyes and let the music drift over you.

'The Ocean of Night' uses synth leads more than the previous track, the flute also tends to be more up front and optimistic. The feeling of calmness and tranquillity developed on the opener, however, is just as prevalent here even if the images created in the mind are somewhat different; questing rather than mysterious. 'Mystery of Falcon Cove' begins with the sound of the sea and objects being blown in the wind. The flute actually sounds more like an extension of the wind and we are carried along by the relaxing tabla rhythm. Its just the sort of music to sit back on some hot sandy beech whilst imagining a row of camels walking by. 'The Rain Maiden' is basically flute over a swirling backdrop of synths with the sound of a storm in the distance and gentle rain falling on the ground. 'Sunrise Song' begins with rather spooky sounds and percussive effects which mimic the sounds of insects running for cover as the sun rises. The flute soars as if describing the rays of light bursting above the horizon. The slow drumming on 'Earth Sky' rather reminded me of some sort of funeral ceremony and the mournful flute enhanced this feeling still further. Synth flutes are OK but I don't believe you could get the full emotional power of what you have here by anything else than the real article. 'Bird Canyon's' initially consists of ambient nature sounds over some high register wind instrument . The synths come more to the front at around two minutes, adding to the tranquillity.

'Rhapsody' is basically a wandering flute over a carpet of synth textures, another one to just chill to. 'Tuptims Garden' uses plucked strings (probably the koto, whatever that is, mentioned in the booklet) but these soon disappear leaving a middle section of synth textures and gentle percussion, the plucked strings returning nearer the end. 'Vision Lake' has a rather cosmic feel to it and wouldn't have been out of place on one of his 'Planetary Chronicles' CDs. Certainly an album for those quieter moments. (DL)

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