Vidna Obmana & Jan Marmenout Spirits

It's been hard keeping up with Vidna Obmana these days. Not content to make music in a convenient box, or stick to a single label, he constantly explores new sonic ground. This time, he takes us on a decidedly tribal world tour, as 'Spirits' is rich with unusual flutes and percussion, and a host of ancient instruments steeped in centuries of culture. The ethnic flavour is strong, though it's hard to pin down a particular country or culture. The sound is of bygone days, or perhaps of remote ritualistic cultures that still exist today. Shakers, shells, flutes, and occasional chants make up 'Ceremonial'. The flutes are distant and soft, the drumming light and soothing.

More forceful is 'Traveling Moon', reminding me of the heavier tribal sequences from Obmana's collaboration with Steve Roach, 'Cavern of Sirens.' Ambient drones emerge from the heavy percussion midway through the first of this two-part track. But largely, the drones and ambience associated with Obmana's work are either minimal or absent. His musical partner this time around, fellow Belgian Jan Marmenout, clearly draws Vidna Obmana into a different musical realm, with emphasis on the visceral rather than the ethereal. The feeling is still very relaxed, and undeniably well done, but whether you like it will depend on whether you like your music this primitive. The first time I played it, at night, I found it a bit heavy, but I find I really enjoy it for listening first thing in the morning. The mixture of calming textures with percussive force are perfect for energizing the start of the day. And if you prefer softer textures, cue up 'Majestic Guidance' or 'The Sacred Balance', both of which retain a primitive feeling, but only sparse use of any sort of percussion. But then brace yourself for the three-part 'Temple of Dawn' as part one begins with a virtual meltdown of driving rhythms, flute, and didgeridoo. The drumming here is excellent. Things soften in part two, then part three closes the disc in calming, meditative fashion. Another example of Vidna Obmana's talent, and his ability to hand-pick a talented collaborator. (PD)

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