![]() |
Wave World The Winds of Laax Play: 56K Dialup Broadband Download: 500K 1.5Mb (Excerpt from track 'Od Ban Ryaak') |
We begin with the over half an hour-long title track. It combines rather cosmic effects with the sound of 'The Winds of Laax'. And these are proper winds- more of a hurricane than a gentle breeze. Soft melodic pads then take over as if calmness is returning- and rather gorgeous they are too. This blissed out state can't last however as gradually proceedings become weirder, percussive twitters sounding like little alien insects. A slow rhythmic loop starts up, morphing as it progresses. A lovely lonesome bitch bending lead line floats above it all and close on its heels a tinkling sequence starts low in the mix. A more urgent rhythm then falls into place becoming the main feature as more leads come and go. We bounce along on a mid paced groove. In the eighteenth minute more syncopation is added and things develop a meaner edge. With five minutes to go we have returned to the soft melodic pads once more.
'Guardians of the Skies' starts with a rather warm feel. A melancholy, maybe even slightly wistful, lead line becomes the main focus along with a bass laden plucked string melody. More acoustic sounding melodies are added to form quite a relaxed tuneful piece. 'Od Ban Ryaak' uses dark cosmic sounds to create quite an eerie atmosphere out of which emerges a lovely tinkling sequence. A lonesome lead line (Almost Spaghetti Western style!) adds to the melancholy and another sequence (a bassey one) comes in giving extra bite. It is a wonderful number, my favourite on the album. It was released as 'Od Ban Ryaah' on the 'Schrittmacher' compilation. 'Desert Moons' is initially a completely spaced out affair full of breathy pads. A deep drone takes over acting as a base for another mournful lead. The pads develop quite a symphonic feel nearer the end and combined with the lead line it had a definite Vangelis styled edge to it.
'Sunrise on Yacekla' also featured on Sequences 27. As with most of the previous tracks we begin with cosmic effects, but this time even more so as we are taken deep into the void. In the fourth minute a rather jaunty sequence starts low in the mix, rising all the time. A flute (or similar) lead melody comes to join it, mellotron being added to give that finishing touch. More sequences and rhythms are deployed until we are travelling at quite a pace. It reminded me very much of Klaus Schulze though with much more rapid development of the sequences. We get a lovely melodic interlude in the eighth minute out of which emerge a stunning bass line and yet another cracking lead melody. Again, a superb track. Calm is restored to finish with the rather pastoral 'The Holy Chamber'. It's all rather moody and a good way to end. (DL)
This page is part of a frame set. If you can't see the information strip to the left of the screen then click on the smd logo above.